There
was a time in my life if I couldn’t afford to buy Stuart Weitzman, Sergio
Rossi, Calvin Klein, Kate Spade or Via Spiga shoes, I wouldn’t buy anything at
all. At that time Nine West came into being and was practical for my budget,
but I have never been a practical shopper and prefer quality over
quantity. It’s easy to spend money when
you have it, but I made it an art to live like I had it when I didn’t.
Nevertheless, I wouldn’t give in and kept my principles—you can skimp somewhere
else but never on your feet.
This
week I was in a department store buying cosmetics—and passed the shoe
dept. You’re probably wondering what
this has to do with writing. Hold on,
I’m getting there. I breezed by and saw a pair of Nine West strappy high heel black
suede sandals that were a knock-out. I
consider the brand cheap; I’m not talking merely price but because they are
made from hard, stiff synthetic materials. I have a high arch and good feet
that rarely tire, and like to stand and walk for great lengths of time, and I
can, because I buy high quality shoes.
I’m of the mind-set that a good pair of shoes you won’t feel and worth a
financial sacrifice over physical pain. I
didn’t stop to try the heels on, but there was something about them that took
hold. I couldn’t stop thinking about them.
In
a mist, later it came to me. In Berlin, having
signed up for a two month dance class in
beginner’s flamenco at the Centro be Baile with a red-headed Austrian teacher
named Karin, who acted as a welcome committee for all the beginner dancers, she
introduced students to teachers and to one another. Friendly, I thought, and I
liked her and admired her black shoes. Turns
out she married a Spaniard and thus began to dance and began her love of all
things Español. On the battered wooden
dance floor, I stood in the third row beside a shy computer programmer and a
group of Danish librarians who yearned to tap their inner fire. Behind us in
the fourth row of dancers were a lithe Japanese office girl and Lola, a
Yugoslavian transvestite a head taller than the other girls with shiny black hair
and short flouncy skirts who already stoked the flames.
I
went through the eight weeks—long enough to master a few steps and I mimicked
the teacher with as much emotion as I could muster. At one point Karin commanded,
(Austrians like Germans are fond of commands) that I hold my head up high, “like
you just took a bite out of a lemon.” I stiffened my spine and continued to attack
the floor.
Have
you ever taken a class and a fellow student turned out to be a sketch for a
character study?
Share your comments—I’d love to hear your stories.
Share your comments—I’d love to hear your stories.
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